Britney Spears hasn’t a released an album since 2016’s Glory, but her presence was felt everywhere at the 40th annual MTV Video Music Awards on Wednesday night.
From the red carpet to the stage, a number of young pop stars paid homage to the Princess of Pop. Tate McRae—who counts Spears as a major influence, and whose dance moves are often compared to hers—wore a see-through lace minidress that referenced Spears’s famous Dolce & Gabbana number from the 2001 ceremony. McRae even wore her hair in cascading waves like Spears did two decades prior.
Addison Rae, who often expresses her love for the pop icon, wore a white satin bra-and-panty set with a voluminous tutu by designer Claire Sullivan, which brought to mind the bridal number Spears wore onstage at the VMAs with Madonna and Christina Aguilera for their infamous performance in 2003 (which of course also referenced Madonna’s 1984 VMAs debut, as well). Her rendition of a Spears look was the least literal, which felt smart at a time when there’s so much reference fatigue within celebrity fashion.
The odes to Spears didn’t stop there. Sabrina Carpenter kicked off a performance of her smash summer hits by sitting on a sparkling ceiling swing that brought to mind Spears’s “Lucky” music video. She also included a snippet of the famous monologue from Spears’s “Oops! … I Did It Again” in the show, and danced with an army of fawning astronauts similar to the ones in the song’s video.
Even the host for the evening, Megan Thee Stallion, brought out her Britney best. She appeared in a replica of the “I’m a Slave 4 U” costume from Spears’s 2001 VMAs performance, one of the most memorable of her entire career.
Now, it’s possible that because it was the 40th anniversary of the event, guests felt extra inspired to reference their favorite pop stars. But it still says something that Spears seemed to have more influence than anyone else on the younger generation’s fashion choices last night. At the height of her career, Britney was often found on worst-dressed lists, dragged for being too revealing or too sexy or even too Southern. But the outfits she wore then—the graphic tees, the lingerie-inspired minidresses, the sparkly stilettos—are considered vintage perfection today, not just because she wore them, but also because they shifted the way we think about pop-star style.
Her looks have become synonymous with the VMAs over the years, maybe because it was the one award show that gave her the respect she deserved. She attended the Grammy Awards just a handful of times and took home only one throughout her whole career (in 2005, for Best Dance Recording, for “Toxic”). But the VMAs? That was Spears’s domain. And her appearances through the years had an impact on the next generation, which came of age loving experimentation and refusing to take getting dressed quite so seriously.
Sometimes, the biggest creative forces are people who never sought to be influential and remain unbothered by it to this day. After the new-guard pop girls posed on the VMAs carpet last night with their love for Britney on full display, the star posted a video on Instagram. As she often does, she was dancing alone in a sparkly minidress in her living room. She didn’t need to be at the party; it was like she was already there.
Source: https://www.harpersbazaar.com/culture/art-books-music/a62171877/britney-spears-references-vmas-2024/
Britney Spears' song "Work B**ch" has climbed into the top 40 on US iTunes, 11 years after its release.
Fans are purchasing the track to celebrate the end of Kevin Federline's child support payments.
Theu officially end when Jayden graduates high school 🏫.
Universal, Sony, Warner Bros. Fox, Disney and Netflix fought for the film rights to Britney’s memories in a “fierce bidding war.”
Universal finally got the rights to an eight-figure deal. This is the power of the only princess of pop #Britney Spears 👑
Universal Pictures has landed the rights to Britney Spears‘ bestselling memoir “The Woman in Me,” with “Wicked” director Jon M. Chu and producer Marc Platt attached to develop the feature.
Spears shared news of the “secret project” on social media, writing that Platt has “always made my favorite movies” and telling her fans to “stay tuned” for more news.
Universal won the rights to the Grammy winner’s memoir (which released last October and has sold over 2.5 million copies in the United States alone) in a highly competitive auction. In the book, Spears chronicled her journey to pop superstardom from her “Mickey Mouse Club” days through her highly publicized and scrutinized conservatorship case, with remarkable candor and humor. The book was brutally honest and went in-depth regarding her relationships with ex-boyfriend Justin Timberlake and her family, chronicling the predatory nature of those around her in an attempt to control her life. The audiobook — read by Academy Award-nominated actor Michelle Williams, with an introduction by Spears — is the fastest-selling in Simon & Schuster’s history.
At the time, Spears was quoted as saying: “I poured my heart and soul into my memoir, and I am grateful to my fans and readers around the world for their unwavering support.”
Universal has a record of success with its musical biopics, including 2015’s “Straight Outta Compton,” which focused on N.W.A. and grossed more than $200 million, and 2002’s “8 Mile,” which grossed $250 million globally. The studio is currently developing the definitive biopic of Snoop Dogg, as well as a film inspired by Prince’s music, produced by Ryan Coogler’s Proximity Media. The studio also recently wrapped production on project from Pharrell Williams and Michel Gondry, inspired by the Grammy winners’ childhood neighborhood.
Meanwhile, the first chapter of Chu and Pratt’s adaptation of the hit Broadway musical “Wicked,” starring Emmy, Grammy and Tony-winner Cynthia Erivo and Grammy winner Ariana Grande, will release in theaters on Nov. 22. “Wicked Part Two” is dated for Nov. 26, 2025.
Spears has been relatively out of the spotlight since she was released from her conservatorship in November 2021. Aside from regularly posting videos of her dancing on Instagram, she stated earlier this year that she “never will” return to the music industry, and that she’s instead been ghostwriting songs for other artists.
Spears is represented by Hudson Management and CAA. Chu is represented by Artists First, UTA, Allison Binder, Esq of GGSSC and ID.
The Ankler was first to report news of the developing project.
Source: https://variety.com/2024/film/news/britney-spears-biopic-movie-universal-1236093017/