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This week with the release of Spears’ ninth album, titled Glory for good reason. With every released and leaked track, from the breathy falsettos of “Make Me...” to the guttural alto of “Private Show” to the all-French (!) “Coupre Electrique,” we’ve heard a Spears whose confident vocals convey that it doesn’t matter how much music snobs sneer at her voice. She knows she has one of the most recognized voices on the planet, and 33.4 million albums sold in the United States alone (per Nielsen Music) say that we like what we hear.

Perhaps that’s because Spears is as suited to 2016 as she was to the early aughts. Her successful Las Vegas residency Piece of Me -- now at three years and counting -- made Sin City cool for pop stars with younger fans who appreciate something with a beat. (Since then, Vegas has morphed from Celine Dion territory into the place to be forJennifer Lopez, Mariah Carey, and the Backstreet Boys.)

To her credit, the EDM-infused pop Spears helped pioneer with Blackout -- a brilliant product of 2007 has come to dominate top 40 stations. The era of Instagram has allowed her to finally show off the disparate bits of her personality, with an addictive mix of mom-friendly aphorisms; pictures of her kids; hints at interest in math, painting, and Albert Einstein; drool-worthy fitspiration; and sexy dance moves. After years of making us wonder who she really is, she seems to have finally found an image that feels authentic: the sexiest mom on the block.

In 2008, her album Circus did mark a return to form, as did 2011’s Femme Fatale, But with every appearance, every song, we were watching: Was she in the spectacular physical shape that made her famous? (The answer was usually: Almost. Then again, she wasn’t 17 anymore.) Could she still dance the way that made her famous?

Now, Spears appears ready to give us her all again. Glory represents something better than a return to form; it is, at long last, a step forward for the 34 year old. She’s using her voice in new ways -- on “Make Me,” it actually sounds pretty, a word rarely used to describe her singing, even in her heyday. She has reclaimed her standout talent, a distinctive dance style that combines cheerleader precision with slinky bits of burlesque. (Please see: Her Billboard Music Awards performance this year.) She showcased her appealing goofy side by pranking Jimmy Kimmel on his show earlier this month. She will, presumably, sing live in an upcoming segment of James Corden’s “Carpool Karaoke,” giving naysayers a listen to her voice without studio help. She’s returning to the VMAs on Sunday. She’s even getting closer to total autonomy, according to a recent New York Times story: She could soon finally be released from her father’s conservatorship.

That’s all great news for Britney Spears the Human. But how does Britney Spears the Pop Star fit into the Beyoncé Era?

She’s something else. She’s a survivor in a way not even her grand forebear, Madonna, is. She was actually destroyed by the media machine and has come back again and again, and maybe even for good this time. We may not all love her music, but we all want her to triumph. And in 2016, who else unites us so?

*please note Mybritneyinsider.com  has edited this article as we are a fansite if you wish to read the full version click the below link but any reall fans do not need to ;)*

http://www.billboard.com/articles/columns/pop/7486789/britney-spears-glory-comebacks

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